Fotografía: Arte o parte

Rhonal Alberto Espinel Ballestas; Liana carolina Ovalles-Pabón

PDF (Spanish)

Photography: Art or part

Rhonal Alberto Espinel Ballestas

Fundación de Estudios Superiores

Liana carolina Ovalles-Pabón

Published

2018-10-28

Issue

Vol. 5 No. 9 (2018)

Section

Artículos

License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Downloads

Download data is not yet available.

Art;, Expression, Visual Language, Images

The purpose of this research was to identify the importance that society places on photography. While its existence is considered an artistic expression, its presence in sectors such as education, science, and architecture, among others, must also be evaluated. The significant business generated by this art in industries like fashion and entertainment is undeniable, but beyond showbiz, countless areas rely on the visual language inherent in photography. Education is a prime example, as teaching with images is an efficient strategy for conveying a message in terms of communication and comprehension. In this sense, it can be said that photography, as a process of the 19th century, remains relevant and essential for contemporary society as a means of remembrance and expression through the visual language that accompanies the image.

Aparecida, L., Aparecida, S., & Marquez, L. (2013).

Fotografia e leituras de mundo: arte e educação. Discursos fotográficos, 9(15) p.113-138 Castillo, N., & Bueno, T. (2016).

La imagen de la mujer en la fotografía publicitaria durante la Guerra Civilç española. Fotocinema, 13, p.57-86 Cavalcanti, A. (2011).

Fotografia: viajar, ver e ser visto na internet. Espaco Academico 10(117) 131-140 Del Lama, F., Drumond, M., Andrade, M.,& Barreto L. (2011).

The Use of Photography to Identify Individual Tree Frogs by Their Natural Marks. South American Journal of Herpetology 6(3), p 198- 204 García, W. (2015).

Consumo e fotografia em Erwin Olaf:uma perspectiva contemporânea- Discursos fotográficos, 11(18) p.57-76. Hoffmann, M. (2009).

Do daguerreótipo à imagem digital: pela ontologia da imagem fotográfica. Discursos fotográficos, 5(7), p.239-244 Lombardi, K. (2015).

Fotografias de conflito: o que permanece?. Discursos fotográficos, 7(11) p.13- 32 Nichols, M., Ruyle, G., & Nourbakhsh, I.(2009).

VeryHigh-Resolution Panoramic Photography to Improve Conventional.Rangeland Monitoring,62(6), p. 579-582 Sá-Carvalho, C. & Lissovsky, M. (2008).

Fotografia e representação do sofrimento. Galáxia, 15, p. 77-90 Santos, A.(2014) Hecho en México: a questão da identidade nacional na fotografia mexicana. Intexto, 31, p. 162-179 Sousa, R. (2013).

A câmara obscura: a fotografia como fonte histórica. Espaco Academico 145, p. 35-43. Souza, V., & Cordeiro, J (2005).

Fotografia: meio e linguagem dentro da moda. Discursos fotográficos, 1, p.231-251,

Keywords:

Art;, Expression, Visual Language, Images

Abstract

References